We go through the demands of Bad Art World’s A contribution towards a programme for the arts on a brutally hot August evening in NYC. It’s a contemporary application of Trotsky’s manifesto on revolutionary art. “Eighty years ago the world was entering another great opening. Then, too, there was a gap between what was necessary to defeat capitalist catastrophe and workers’ general political understanding.”
Content warning right at the top, this episode we discuss guns, violence, and suicide. We read through the Hito Steyerl essays “Is the Internet Dead?” and “The Terror of Total Dasein: Economies of Presence in the Art Field” We get into the complicated life and death of Nasim Najafi Aghdam, algorithms, junktime, access, and therapy. If you like us please consider donating for bonus writing, memes, and art:https://d.rip/art-and-labor
We saw Sorry to Bother You and it was THE BEST MOVIE and THE ONLY MOVIE! We celebrate Chairman Boots Riley’s new masterpiece. We try to process the race and gender roles depicted in the film, but we’re way more excited to do a working class analysis. We’re now offering bonus materials on our Drip page! Feel free to skip the first 15 minutes of this ep that is just an ad for it. If you like us please consider donating for bonus writing, memes, and art:https://d.rip/art-and-labor
Art is being used to fund and perpetuate war. The stateless wealthy use the art market as a tool to extend and maintain the class divide. Learn all about it in this mostly serious and depressing episode. My cat lightens the mood at one point. I wonder if the next 20 episodes of the show will just be us discussing a different Hito Steyerl essay every week.
We had a tweet go viral! Artnet published a pseudoscience garbage article claiming that artists’ brain chemistry causes them to not what to be paid for their work, we told them to fuck off with that noise. This episode breakdown the discourse, and get into plenty of tangents along the way!! This episode was recorded on the streets of Chelsea and Bushwick. Later doodle-bitches!
Welcome new listeners! Art and Labor focuses on the on-going struggle to survive as an art or cultural worker. We chronicle the stories of social justice organizing within the arts, and believe in centering the human cost of the “art world” and advocate for fair labor practices for artists, assistants, fabricators, docents, interns, registrars, janitors, writers, editors, curators, guards, performers, and anyone doing work for art & cultural institutions.
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HITO STEYERL DANK MEME STASH! Hey ya’ll, we’ve got some FEELINGS this episode. Half this episode is venting about some strange/shitty art world jobs we’ve had. We also mention decolonization practice, Walter Benjamin, cultural Marxism, and Imperfect Cinema as a foundation for Steyerl’s In Defense of Poor Image. Accessibility is the key word of this ep. It’s extremely hot in New York City! It’s punishingly hard to focus. We drank a couple cold ones and left the AC on so this is a long ep with a little rumbling sound in the background. I’m not going to apologize, we needed that AC to pod.
Call us Anna Delvey ’cause we’re delving into Soho. We get into the early days of some of the most powerful people in the art market, and how their greed has gone on to destroy neighborhoods and countless lives. This episode we try to demystify the “Art World” to better understand its influence. Art has a complicated role in gentrification; the Grayson Perry cartoon about artist neighborhoods has resonated with millions of people in its second life as an internet meme. We tie the idea of Artwashing to precarious economic situations exemplified by Richard Florida and Mistressvilles.
WE CAN’T EAT PRESTIGE! We joined the picket line in front of the Museum of Modern Art to greet the guests at their annual fundraiser “Party in the Garden” The MoMA workers organized their own “Party on the Pavement” to amplify their demand for a fair labor contract. We say hi to our friends Jeff and Maria, and learn what it’s like at the bargaining table. Email the MoMA director, let him know what you think: email@example.com
Beep beep!! New Art and Labor here! Your favorite podcast focusing on the on-going struggle to survive as an art or cultural worker. Hosted by O.K. Fox and Lucia Love. This episode we fill you in even more social justice activism happening in the late sixties/early seventies. We talk proto Guerrilla Girls, and we trace the legacy of the Black Emergency Cultural Coalition’s pressure on The Met, MoMA, and The Whitney to current protests of The Brooklyn Museum. We despair about the continued lack of representation in these institutions, and ponder the effectiveness of identity-based strategies. We also get into some contextual tangents about Art & Language, The Fox, and Artists Meeting For Cultural Change.
Much is pulled from the book “Art Gangs: Protest and Counterculture in New York City” by Alan W. Moore published by Autonomedia in 2011 and “Exhibiting Authenticity: The Black Emergency Cultural Coalition’s Protests of the Whitney Museum of American Art, 1968-71” by Caroline V. Wallace published in Art Journal in 2015.